雷霆缉私

该片讲述了A市海关缉私局缉私三科成员，通过努力、英勇以及智慧，成功破获了一起贩毒案，并且顺藤摸瓜摧毁了一个大型国内贩毒集团，守卫了国门的安全。

霸道总裁的野蛮女友

一个另类的富二代苹果不安于奢侈的生活，却怀着大义之梦，想学绝世武功来拯救世界，一身名牌的他离家出走，无奈沦落街头乞讨。后遇到耿直豪气的女店长樱桃，两人由于之前的过节，一直矛盾不断。樱桃是一个得到高人真传的武林高手，而傲气的苹果却不知情，一再触碰樱桃的底线。整部片充满青春、励志、喜剧、功夫的元素，剧情跌宕起伏，笑点十足。

月满轩尼诗（粤语）

轩尼诗道坐落在湾仔中间，刚好把这区切成两eee。阿来是电器店少东，他的父亲已不在人世，母亲却依然风骚。住在对面的是爱莲，一个寡言倔强、不喜交际、替舅父打理清洁用品店的女子。一天，阿来母亲施计替他和爱莲搞相亲。双方对相亲完全不感兴趣，更在会面前把自己打扮成丑男丑妇，以免对方真的动起情来。原来，阿来和爱莲各自仍记挂着一个人。一次偶然的机会下，阿来和爱莲再度见面。

晚餐

“罗卡比亚恩卡”是一家极具人气的意大利餐厅，其店长兼主厨辰巳日出男（风间杜夫 饰）在料理界享负盛名，某天却因脑出血突然倒下，副主厨今井耕助（松重豊 饰）等人为了守护传统味道而努力，但因为他统率力不足让工作人员无心恋战，一个月后餐厅竟然开始出现空位陷入危机。身为餐厅经理的店长之女辰巳沙织（仓科加奈 饰）为了挽救餐厅的人气，找来曾在父亲的意大利师傅开设餐厅中公事的江崎究（江口洋介 饰）来担任新的主厨。虽然他拥有超凡功力，但不爱和人沟通有毒舌性格，对料理不讲爱心不讲传统，是以味道行先的究极合理主义者。因此和餐厅里身怀各自的烦恼店员们总是纠葛不断......

护士当家第二季

性格缺陷非常明显的Jackie Peyton在曼哈顿万圣医院担任急诊护士，是个虔诚的天主教徒，也是个固执己见、尖利刻薄的强势女性。她总是和那些自称无所不知的医生们无休无止地争吵，用自己的标准来评判公义。她深切关怀自己的病人，但却总是给自己和周围的人造成伤害。她还和House医生一样是个瘾君子。

古墓迷途

谢尔盖（丹尼拉·科兹洛夫斯基DanilKozlovsky饰）曾经是大学历史系的高材生，如今却成为了一个倒卖文物的小混混，他带领着齐烈普（VladimirYaglych饰）、斯皮尔特（AndreyTerentyev饰）和秋哈（DmitryVolkostrelov饰），整日穿梭在大大小小的古墓之中，企图找到能让他们一夜暴富的珍宝。某日，在一间古墓中，四人意外发现了一个保险箱，保险箱内锁着的，竟然是写有四人名字的士兵证。吓坏了的谢尔盖一行人通过墓地旁边的湖泊穿越到了1942年，彼时，他们成为了苏军部队的战士，即将踏上战场。除了要面对敌人纷飞的炮火和无处不在的死亡威胁，谢尔盖一行人所面临的最大问题，就是如何回到现代。

2024珠江春晚

萤火奇兵

灯灯（山新 配音）是一只能够发出闪亮光芒的萤火虫，被同类们视为偶像一般的存在，为此灯灯感到十分自豪。某一日，一个名为极光（郭盛 配音）的外星人来到了灯灯的身边，从此，灯灯再也不是最璀璨的存在了，这让灯灯感到无比的失落。在这个节骨眼上，邪恶贪婪的独叫兽（邓伟锋 配音）花言巧语的诱骗了灯灯，导致它落入了苍狼大王（宝木中阳 配音）的圈套之中，身陷囹圄。得知了灯灯的不幸境遇，极光挺身而出，带领着灯灯的好友阿贵（姚雷 配音）和小蝴仙（李姗姗 配音）等人踏上了解救灯灯的旅途。他们能够打败苍狼大王和它的爪牙们，顺利而又安全的救出灯灯吗？

长生不死的我只修禁术

残酷

Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.                                                                    “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.                                                                    The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

超神宠兽店

公主她总在翻车现场