僵尸情人节

Middle-agedMaxandSarameetandfallforeachotherinPalmSprings,buttheirlovestoryiscutshortduetoasuddenzombieoutbreak.Maxisnotasmild-manneredasheappears,andhasahistoryinvolvinggovernment-sanctionedhits,butonezombieheisn’tabletokillishisdarlingSara.

八歧之大蛇的反击

内详

我们在躲谁？

　　一名母親隱藏自己的謎樣過往，帶著女兒像無名逃亡者般生活。她們以旅館為家，將所有人都視為危險威脅。

印度版的狂飙，结局高度相似#血战之境

　　The film explores the dark underbelly of Thiruvananthapuram where rival goondas clash in cold-blooded gang wars to gain dominion over the city’s suburbs and slums.

不安分的年轻人们

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

白日梦我

该剧以父母离异后跟着父亲来到新城市生活的女孩林语惊为切入点，讲述了 她在新学校里与传闻中暴躁社会哥沈倦成为同桌后，二人逐渐相识相知彼此温暖、分离后又再重逢相爱的故事。

哥伦布传

500年前，充满迷信色彩的西班牙，认为海洋的尽头有魔鬼守侯著，只有航海家哥伦布坚信，海洋的尽头是一片新土地，几经辛苦说服女皇资助冒险旅程的他终于发现新大陆，可惜贵族们都视这土地为猪肉，只有他愿意维持乐土的自然纯朴，终被奸人排拆，究竟现实与梦想的距离，会否动摇这位梦想家的坚持呢？ 　　 　　-幕后花絮 　　 　　影片描写的是著名航海家哥伦布的航海故事，重点刻画的是哥伦布的社会性。以其子费尔南多的回忆的形式，对其颠沛流离的一生进行了追述。通过影片我们可以看到，作为一名航海冒险家，哥伦布绝对是成功的伟人；但若将他视作一个普通人，他又是一个可叹的失败者。影片生动地再现了哥伦布丰富多彩的社会生活经历，他那富有理想的心智和勇敢无畏的精神，还有那粗暴蛮横的坏脾气和贪婪攫取的性格。

珈百璃的堕落

天使珈百璃（富田美忧 配音）以天使学校第一名的优异成绩毕业，决定降临人间体会一下凡间的多彩生活。在珈百璃的未来规划中，她将要一边做善事给人类带来幸福一遍完成在人类学校中的课业，然而某一日，珈百璃无意间发现了一台电脑，接触到了网络游戏，剧情至此急转直下，很快，珈百璃就成为了整天只知道打游戏的废柴，不仅逃学玩游戏，甚至因为在游戏里氪金过多而身无分文不得不前往咖啡店打工。　　珈百璃的身边有很多来自“天上”的伙伴。虽然是恶魔但非常可靠的薇奈特（大西沙织 配音）、有着远大理想却是个完完全全的笨蛋的萨塔尼亚（大空直美 配音）、外表温柔可人实际上非常腹黑的拉斐尔（花泽香菜 配音）、不谙世事纯洁无暇的塔普利斯（水濑祈 配音），一场人间喜剧即将拉开序幕。

百分百感觉2003

Jerry（余文乐饰）与许乐（王嘉明饰）是同事，也是室友。他们俩性格迥异，Jerry生性多情，生活中的女性不断，在女人群中寻找真爱。许乐则是默默地等待自己的最爱出现。终于，两人一同在街上遇到了心中的女神。这位叫Cherie（邓丽欣饰）的女孩让两个男生神魂颠倒，互相打赌谁先追求成功。默默追随的许乐却不能得到Cherie的芳心，她与Jerry成为了恋人。可是Jerry的若即若离让Cherie捉摸不透。后来才得知Jerry曾为了报复，假意追求与他有过恩怨的富商之女Jenny（傅颖饰），受不了Jerry的玩弄，Jenny的精神出现了问题。这件事一直困扰着Jerry，Cherie也无法面对Jerry的冷淡，转向了许乐的怀抱，两人决定结婚。婚礼之际，Jerry匆忙赶到了，Cherie此刻心情复杂，不知如何是好。

庶女攻略

极品仙侠学院

余波[电影解说]

故事发生在1946年的德国，第二次世界大战刚刚结束，战火让大地满目疮痍，家庭妻离子散。英俊上校刘易斯（杰森·克拉克 Jason Clarke 饰）和他的妻子瑞秋（凯拉·奈特莉 Keira Knightley 饰）在战争中失去了他们的大儿子，瑞秋因此非常的痛恨德国人，但是让她没有想到的是，战后，她和她剩下的家人们，要和一个名为史蒂芬（亚历山大·斯卡斯加德 Alexander Skarsgård 饰）的男人住在同一屋檐下。　　史蒂芬也在战争中失去了妻子，这让他对瑞秋没什么好脸色，两个人天天争锋相对。丧子之痛让刘易斯选择将大部分的时间和经历放在工作中，备受冷落的瑞秋每天的相处对象就只有史蒂芬，渐渐的，两人之间的关系开始转变。