该剧讲述了江湖第一刺客郑轲为报杀父之仇，入宫准备刺杀当朝圣上，却未曾想一场巨大的阴谋即将揭开。蛰伏入宫的郑轲偶然与集万千宠爱于一身的公主齐婉儿互换了身体，于是两人开始共同寻找换回去的方法，随着了解的加深，两人从彼此猜忌到相互保护、互相体谅，逐渐坚定了对彼此的感情，也携手推翻了妄图谋反的丞相的阴谋......
这是一出10个爱情故事串成的喜剧杂烩： 失去母亲的小男孩终日郁郁寡欢，继父不知该如何安慰。当他得知继子喜欢上学校里最美的女孩，便热烈地鼓励儿子去追。小男孩为了赢得小女孩的关注，废寝忘食地练习架子鼓，只为了在圣诞节的晚会上能与她同台演出。勇敢的他，甚至为了最后的一记道别潇 洒地突破机场的安检区。 两个孩子的母亲面对了婚姻危机。丈夫感情出轨，把项链送给了别的女人，给她的，则仅是一张她热爱的女歌手的CD。她找了借口仓皇躲入卧室，在歌声中隐忍啜泣。转个身，又夸张地大笑着，迎向娇女爱子欢喜的面容。 丈夫最终幡然醒悟。 …… 如此的小故事共有十出，温暖你我的心。
杀人魔王杰森（凯恩·霍德尔 Kane Hodder 饰）在犯下了数不清的命案后终于迎来了属于他的大结局，在警方强大的火力攻势之下，杰森倒下了。然而，就在众人以为这位凶残无情的连环杀手命归西天之时，杰森却借由着验尸官的身体复活了。 警方发现，杰森能够通过和他有着血缘关系的亲戚的身体复活，于是将重点保护的目标放在了他的姑姑戴安（爱琳·格雷 Erin Gray 饰）和表妹杰西卡（卡里·基冈 Kari Keegan 饰）的身上。遗憾的是，戴安最终没有能够逃脱杰森的毒手，但杰西卡凭借着强大的意志力和惊人的运气和杰森血战到了最后。作为唯一一个拥有彻底消灭杰森的力量的人，杰西卡能否终结这个萦绕了多年的噩梦？
A romantic adventure with an intriguing blend of modern and classic touches, THE RENDEZVOUS throws together RACHEL, a Jewish-American doctor and JAKE, an Arab-American government bureaucrat, who are trying to solve the mysterious death of Rachel's treasure hunting brother. Racing around the world, they find themselves being hunted by a doomsday group calling themselves the Armageddonites who believe Rachel and Jake possess an ancient script discovered by Rachel's brother that could bring about the end of days. Caught in the middle of a plot to hasten the end of mankind, Rachel and Jake need to solve a murder, save the world and discover for themselves that treasure is where you find it.
侠影飞神剑，载酒江湖除凶魔。.
故事发生在民国初年，北方处于军阀混战时期，社会动荡不安，人民生活艰难。在这个背景下，王绪（郭追饰）、金正平（罗莽饰）和鱼汉生（江生饰）这三位年轻人成为了向南逃难的难民。他们来到位于战乱边缘的一个小镇之中，希望能够找到一片安全的土地。这个小镇的富家子弟陈祖光（鹿峰饰）是地方民团的首领，控制着镇上的一切。一次偶然的机会，王绪为了救助一位女难民而被陈祖光的手下追捕。就在危急时刻，他幸运地得到了一位名叫红菱（楚湘云饰）的风尘女子的相助。红菱的美丽和勇敢深深吸引着王绪，并且她的出现使得王绪的命运发生了转折。随着时间的推移，王绪、金正平和鱼汉生逐渐融入了这个小镇的生活，与陈祖光和他的手下展开了明争暗斗。他们和红菱一起组成了一股抵抗势力，努力保护镇上的普通百姓，对抗陈祖光的压迫和剥削。
该剧将聚焦于著名的军事领袖亚历山大大帝(公元前356-前323)，作为国王腓力二世的儿子，亚历山大的军事才能帮助他建立了历史上最庞大最著名的帝国之一，其本人成为马其顿的传奇。尽管英年早逝，亚历山大仍然成为了一个极具影响力的人物，他的遗产时至今日仍被世人所铭记。
Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has become a symbol of mystery and fear. Each morning, at its base, the bodies of handsome young aristocrats are found floating in the river, all butchered by sword or arrow. One evening, two noblemen, Buridan and Philippe d'Aulnay, find themselves in the infamous tower, lured there on the expectation of a night of unbridled passion. Little do they realise that they are to be the next victims of a woman who is determined to take revenge against all men - Margaret of Burgundy, the present Queen of France. Although Philippe is killed, Buridan escapes, and intends to blackmail the Queen. Unless she makes him her prime minister, he will expose her crimes to Philippe's brother and her husband, King Louis X. When she moves to eliminate Burdan, Margaret makes a terrible discovery... In the twilight years of his long and pretty uneven career, the great avant-garde film director Abel Gance made a number of films which, whilst not as grand and artistically inspired as his early silent masterpieces (La Roue (1923), Napoléon (1927)), still compared very favourably with the work of his contemporaries. Of these, La Tour de Nesle is a film that still stands up remarkably well today - an ambitious historical drama based on the famous 1832 play by Alexandre Dumas. It makes a nice companion piece to Gance's subsequent historical romp, Cyrano et d'Artagnan (1964). Needless to say, the film isn't to be commended on its historical accuracy. As any historian will tell you, the Alexandre Dumas version of French history is wildly fanciful, to say the least. However, this doesn't prevent La Tour de Nesle from being an entertaining and, at times, highly poignant, piece of cinema. Whilst the characterisation and dialogue leave much to be desired, the plot (a murky tale of cruel revenge and political intrigue) is gripping, and the film's artistic design is exceptional for a film of this period. Gance brings a strangely expressionistic touch to his use of colour and shade, something which adds to the darkly sinister nature of the plot, whilst imbuing the film with a striking sense of historical realism. A propos, Gance's assistant director Nelly Kaplan makes her screen début in a small role, shortly before she herself embarked on a successful film making career.
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